The Command Line

Before we begin learning about the programming language Python, we need to learn about the command line. The command line — also referred to as the shell, bash, or terminal — is the gateway to computational analysis. Think of it like interacting with your computer behind the scenes.

Here are some of the important things that you can do from the command line (and why we’re learning about it):

  • Run a Python script

  • Install software

  • Connect to a remote server (i.e., use a different computer from your current computer)

  • Do simple tasks faster and more efficiently

  • Gain more power and flexibility over your computing experience

The command line

Note

Technically speaking, command line, shell, bash, and terminal all mean slightly different things. The Digital Humanities Research Institute provides a helpful primer on the distinctions.

The command line interface is often contrasted with the graphical user interface or GUI (pronounced gooey, like St. Louis gooey butter cake). This is the way that most people are familiar with navigating their computers.

To illustrate the difference between the command line and the GUI, consider the following example. I want to make a new folder to organize my notes for this class. So I drag my mouse cursor and click on a button that says “New Folder,” which makes a small icon of a folder appear. I title this folder “Intro-CA-Notes.” Now I want to delete this folder. So I drag and drop the folder icon into a tiny trash can icon.

Making and deleting a folder with GUI

This is the GUI in action. This is how we interact with our computers graphically — with visual icons, movements, and mouse clicks.

But that’s not the only way we can interact with our computers. We can do all of the above from the command line as well. Instead of dragging and dropping little folder icons, we would type in textual commands, such as mkdir Intro-CA-Notes (to make a folder/directory) and rmdir Intro-CA-Notes (to remove the folder/directory).

Making and deleting a folder with command line

Making a folder from the command line as opposed to dragging and clicking with the mouse won’t save us a ton of time. Maybe a couple of seconds at most.

But in the aggregate, with larger tasks, these seconds start to add up. Since we can automate tasks from the command line, we can transform things that would be tedious and time-consuming to do manually — such as resizing 1000 photos or combining a dozen smaller CSV files into one large file — into useful and efficient scripts.

That’s just the tip of the iceberg. From the command line, you can also run Python code, install software, connect to a remote server or a Raspberry Pi, and more. The command line offers you greater power and flexibility over your computing experience.

Where do I find the command line?

Your command line will differ depending on the operating system (OS) that you’re using. Most operating systems fall into two different families: the Unix-like family and the Microsoft Windows family. The Unix-like family includes Mac OS, Linux, Android, and Chrome.

We’re going to focus on the command line interfaces for Mac, Microsoft Windows, and Chromebooks.

 Mac OS

If you’re using a Mac, you will access the command line through an application called “Terminal.” You can find Terminal under Applications -> Utilities.

Open Mac Terminal in Applications

Alternatively, you can find it by clicking Spotlight Search in the top right corner, typing “Terminal,” and double-clicking the application or pressing enter.

You can keep the Terminal application on your dock by right-clicking the application and selecting Options -> Keep in Dock (as shown in the video above).

The command line

When you open Terminal, you will see the name of your computer and your username followed by a dollar sign $. For example, when I go to the command line, I see the prompt Melanies-MacBook-Pro:~ melaniewalsh$, as shown above. You type commands after the dollar sign $.

Attention

If you see a dollar sign $ in example code in this book or elsewhere, the dollar sign represents where you should start typing your own code. You do not need to include the dollar sign $ in your own code. It will cause an error. It’s a common beginner’s mistake to include the dollar sign $, especially when consulting examples from the internet.

Windows OS

The command line for Windows users, called “Command Prompt,” is different from the command line interface for Mac users and the wider Unix-like family. The Windows Command Prompt is not as powerful as the Unix shell in certain ways.

However, beginning with Windows 7, Microsoft also introduced “PowerShell,” which acts like a more flexible and more powerful command line for Windows users. (You can read more about PowerShell in Microsoft’s official documentation).

We’re going to focus on PowerShell, as opposed to Command Prompt, for a number of reasons. One very convenient reason is that PowerShell commands have “aliases.” They go by a number of different names, including names that are used by the traditional Windows Command Prompt and by a Mac Terminal.

These aliases will conveniently allow you to learn a little about Unix and Windows commands at the same time. Since we’re mostly trying to understand how the command line functions at a broad level, this level of familiarity will suffice for now. In the future, you may want to invest more time in learning the specifics of PowerShell or the Command Prompt.

Open Windows PowerShell

To open PowerShell, simply search for it in the Windows search bar, as shown above.

Chromebook

To access the command line from a Chromebook, you first need to turn on Linux (Beta). The following instructions are taken from Google Chromebook Help.

  • At the bottom right, select the time

  • Select Settings

  • Under “Linux (Beta),” select Turn On

  • Follow the steps on the screen. Setup can take 10 minutes or more

  • A terminal window opens. You can run Linux commands, install more tools using the APT package manager, and customize your shell

Command Line Cheatsheet

Mac / Chrome / Linux

Explanation

Windows PowerShell

cd filepath

change directory, aka move into a different folder

cd filepath

ls

list the files and folders in your current directory

ls / dir / Get-ChildItem

pwd

show path of working directory, aka the folder that you’re in right now

pwd / cd

touch filename

make a new file

ni filename

mkdir directory-name

make a new directory, aka a folder

mkdir directory-name

rm filename

remove, aka delete, a file or directory

rm filename / del filename

cp original-filename copied-filename

copy a file or directory

cp / copy

mv original-filename new-filename

move or rename a file or directory

move original-filename new-filename / ren original-filename new-filename

cat filename

show all the contents of a file

cat filename / type filename

less filename

show snippet of a file that allows you to scroll through the entire thing

more filename

head filename

show the first 10 lines of a file (change number of lines by adding -*a number* flag, e.g. head -100)

gc filename -head 10

tail filename

show the last 10 lines of a file (change number of lines by adding -*a number* flag, e.g. tail -100)

gc filename -tail 10

wc -w -l filename

show how many words or lines in a file

gc filename | Measure-Object -Word –Line

man command

show the manual, aka the documentation that tells you what a particular command does

help command

echo

print text to the command line

echo

grep “search term” filename or directory-name

search for lines that include search term in file

findstr “search term” filename

curl -O url / wget url

get, a file from the web

wget url -OutFile new-filename

Basic Navigation and File Structure

Note

If you’re using these commands outside a Jupyter notebook, you do not need to include the % or ! at the beginning of the line. The % and ! symbols allow access the command line from a Jupyter notebook.

Display Path of Working Directory

You are here! ⭐ One of the most basic and useful commands is the one that tells you where you are on your computer. Type pwd and it will show you the path of your working directory, aka the folder that you’re currently in. This might not seem terribly important at the moment, but it

Mac / Chrome / Linux

Explanation

Windows PowerShell

pwd

show path of working directory, aka the folder that you’re in right now

pwd / cd

%pwd
'/Users/melaniewalsh'

The forward slash / before and after each name indicates that the name is a directory. On Windows computers, directories are indicated by backslashes \.

This filepath is unique to my personal computer, which you could probably guess because it includes my name. If you open up a command line on your own personal machine and type pwd, it should return your personal “home” directory.

List Files and Folders

If you want to see what’s inside the directory that you’re currently in, you can run ls, which list all the files and folders.

Mac / Chrome / Linux

Explanation

Windows PowerShell

ls

list the files and folders in your current directory

ls / dir / Get-ChildItem

%ls
The-Command-Line.ipynb   very-interesting-folder/

The output above shows that this directory contains “The-Command-Line.ipynb” (this very Jupyter notebook!) as well as another directory called “very-interesting-folder.”

Change Directory

If we want to find out what’s inside that directory, we can move into it by using the change directory cd command and plugging in the name of the directory

Mac / Chrome / Linux

Explanation

Windows PowerShell

cd filepath

change directory, aka move into a different folder

cd filepath

%cd very-interesting-folder/
/Users/melaniewalsh/Intro-Cultural-Analytics/Website-Content/Command-Line/very-interesting-folder
%ls
The-Yellow-Wallpaper.txt  a-troubling-fact.txt      an-interesting-fact.txt

Relative Path vs Absolute Path

There are two ways to to tell your computer where you want to go aka your desired path.

Relative Path

Relative path is a path to a location that’s relative to your current location.

We used a relative path when we moved into very-interesting-folder because we simply typed:

%cd very-interesting-folder/

Since we were already inside /Users/melaniewalsh/Intro-Cultural-Analytics/Website-Content/Command-Line/, that’s all the information we needed to get where we wanted to go.

Double Dot

A “double dot” .. allows you to move up to a parent directory one level up.

%cd ..
/Users/melaniewalsh/Intro-Cultural-Analytics/Website-Content/Command-Line

The double dot is a very convenient way of moving relatively through your file structure.

Most of our text files for this class exist one directory above the Jupyter notebooks, so we’re often going to be referencing them with a relative filepath that begins with two periods ../

Absolute Path

Absolute path is a path to a location from a bird’s eye view of your computer.

If we wanted to move inside very-interesting-folder from a completely different place on our computers, we could use an absolute path:

%cd ~/Website-Content/Command-Line/very-interesting-folder
Home Folder Tilde ~

The tilde symbol (~) is an alias for the home folder. If you type the tilde symbol and then tab, it should autocomplete the path for your home folder.

Working with Files and Texts

There’s a lot of basic text analysis that you can do just from the command line.

Download a text file from the web

Mac / Chrome / Linux

Explanation

Windows PowerShell

curl -O url / wget url

get, a file from the web

wget url -OutFile new-filename

You can download a text file from the web by using the command curl or wget with the appropriate web address. Let’s see if we can download Charlotte Perkins Gilman’s short story “The Yellow Wallpaper.”

We’re going to search for the story through Project Gutenberg, an amazing resource that hosts tens of thousands of free texts in the public domain (which means lots of great literary and historical texts published after 1925).

!curl -O http://www.gutenberg.org/files/1952/1952-0.txt
  % Total    % Received % Xferd  Average Speed   Time    Time     Time  Current
                                 Dload  Upload   Total   Spent    Left  Speed
100 51185  100 51185    0     0   238k      0 --:--:-- --:--:-- --:--:--  238k
!wget http://www.gutenberg.org/files/1952/1952-0.txt
--2020-01-23 00:05:01--  http://www.gutenberg.org/files/1952/1952-0.txt
Resolving www.gutenberg.org (www.gutenberg.org)... 152.19.134.47
Connecting to www.gutenberg.org (www.gutenberg.org)|152.19.134.47|:80... connected.
HTTP request sent, awaiting response... 200 OK
Length: 51185 (50K) [text/plain]
Saving to: ‘1952-0.txt’

1952-0.txt          100%[===================>]  49.99K  --.-KB/s    in 0.1s    

2020-01-23 00:05:02 (387 KB/s) - ‘1952-0.txt’ saved [51185/51185]
#PowerShell C:\Users> wget http://www.gutenberg.org/files/1952/1952-0.txt -OutFile The-Yellow-Wallpaper.txt
%ls
1952-0.txt               a-troubling-fact.txt     an-interesting-fact.txt

Rename a file

Mac / Chrome / Linux

Explanation

Windows PowerShell

mv original-filename new-filename

move or rename a file or directory

move original-filename new-filename / ren original-filename new-filename

%mv 1952-0.txt The-Yellow-Wallpaper.txt
%ls
The-Yellow-Wallpaper.txt  a-troubling-fact.txt      an-interesting-fact.txt

Check file sizes, lengths, and word counts

Mac / Chrome / Linux

Explanation

Windows PowerShell

ls

list the files and folders in your current directory

ls / dir / Get-ChildItem

wc -w -l filename

show how many words or lines in a file

gc filename | Measure-Object -Word –Line

Combining the -lh flag with the ls command will show you the long format version (-l) of each file with the file sizes formatted in a human readable (-h) way. The long format version of the file will include the file’s permissions, size, and date that it was last modified.

%ls -lh
total 120
-rw-r--r--  1 melaniewalsh  staff    50K Nov  8  2017 The-Yellow-Wallpaper.txt
-rw-r--r--@ 1 melaniewalsh  staff   643B Jan 22 23:30 a-troubling-fact.txt
-rw-r--r--@ 1 melaniewalsh  staff   214B Jan 22 23:29 an-interesting-fact.txt

The file sizes can be found in the fourth column. The file The-Yellow-Wallpaper.txt is shown as 50K or 50 Kilboytes. For a helpful breakdown of Bytes vs Kilobytes vs Megabytes vs Gigabytes, see Stanford professor Ashley Taylor’s CS101 course website.

Abbreviation

Size

B

Bytes

K

Kilobytes

M

Megabytes

G

Gigabytes

Now let’s check how many words are in “The Yellow Wallpaper.” Combining the -w flag with the wc command will return the number of words in a file.

!wc -w The-Yellow-Wallpaper.txt
    9103 The-Yellow-Wallpaper.txt
#PowerShell C:\Users> gc The-Yellow-Wallpaper.txt | Measure-Object –Word

Let’s check how many lines are in “The Yellow Wallpaper.” Combining the -l flag with the wc command will return the number of words in a file.

!wc -l The-Yellow-Wallpaper.txt
    1197 The-Yellow-Wallpaper.txt
#PowerShell C:\Users> gc The-Yellow-Wallpaper.txt | Measure-Object –Line

Display the contents of a file

Mac / Chrome / Linux

Explanation

Windows PowerShell

cat filename

show all the contents of a file

cat filename / type filename

less filename

show snippet of a file that allows you to scroll through the entire thing

more filename

head filename

show the first 10 lines of a file (change number of lines by adding -*a number* flag, e.g. head -100)

gc filename -head 10

tail filename

show the last 10 lines of a file (change number of lines by adding -*a number* flag, e.g. tail -100)

gc filename -tail 10

The cat command prints the whole file to your command line.

!cat The-Yellow-Wallpaper.txt
Project Gutenberg's The Yellow Wallpaper, by Charlotte Perkins Gilman

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.orgTitle: The Yellow Wallpaper

Author: Charlotte Perkins Gilman

Release Date: November 25, 2008 [EBook #1952]
Last Updated: November 7, 2017

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE YELLOW WALLPAPER ***

Produced by An Anonymous Volunteer, and David Widger




THE YELLOW WALLPAPER

By Charlotte Perkins Gilman



It is very seldom that mere ordinary people like John and myself secure
ancestral halls for the summer.

A colonial mansion, a hereditary estate, I would say a haunted house, and
reach the height of romantic felicity—but that would be asking too
much of fate!

Still I will proudly declare that there is something queer about it.

Else, why should it be let so cheaply? And why have stood so long
untenanted?

John laughs at me, of course, but one expects that in marriage.

John is practical in the extreme. He has no patience with faith, an
intense horror of superstition, and he scoffs openly at any talk of things
not to be felt and seen and put down in figures.

John is a physician, and perhaps—(I would not say it to a living
soul, of course, but this is dead paper and a great relief to my
mind)—perhaps that is one reason I do not get well faster.

You see, he does not believe I am sick!

And what can one do?

If a physician of high standing, and one’s own husband, assures friends
and relatives that there is really nothing the matter with one but
temporary nervous depression—a slight hysterical tendency—what
is one to do?

My brother is also a physician, and also of high standing, and he says the
same thing.

So I take phosphates or phosphites—whichever it is, and tonics, and
journeys, and air, and exercise, and am absolutely forbidden to “work”
until I am well again.

Personally, I disagree with their ideas.

Personally, I believe that congenial work, with excitement and change,
would do me good.

But what is one to do?

I did write for a while in spite of them; but it does exhaust me a good
deal—having to be so sly about it, or else meet with heavy
opposition.

I sometimes fancy that in my condition if I had less opposition and more
society and stimulus—but John says the very worst thing I can do is
to think about my condition, and I confess it always makes me feel bad.

So I will let it alone and talk about the house.

The most beautiful place! It is quite alone, standing well back from the
road, quite three miles from the village. It makes me think of English
places that you read about, for there are hedges and walls and gates that
lock, and lots of separate little houses for the gardeners and people.

There is a delicious garden! I never saw such a garden—large and
shady, full of box-bordered paths, and lined with long grape-covered
arbors with seats under them.

There were greenhouses, too, but they are all broken now.

There was some legal trouble, I believe, something about the heirs and
co-heirs; anyhow, the place has been empty for years.

That spoils my ghostliness, I am afraid; but I don’t care—there is
something strange about the house—I can feel it.

I even said so to John one moonlight evening, but he said what I felt was
a draught, and shut the window.

I get unreasonably angry with John sometimes. I’m sure I never used to be
so sensitive. I think it is due to this nervous condition.

But John says if I feel so I shall neglect proper self-control; so I take
pains to control myself,—before him, at least,—and that makes
me very tired.

I don’t like our room a bit. I wanted one downstairs that opened on the
piazza and had roses all over the window, and such pretty old-fashioned
chintz hangings! but John would not hear of it.

He said there was only one window and not room for two beds, and no near
room for him if he took another.

He is very careful and loving, and hardly lets me stir without special
direction.

I have a schedule prescription for each hour in the day; he takes all care
from me, and so I feel basely ungrateful not to value it more.

He said we came here solely on my account, that I was to have perfect rest
and all the air I could get. “Your exercise depends on your strength, my
dear,” said he, “and your food somewhat on your appetite; but air you
can absorb all the time.” So we took the nursery, at the top of the house.

It is a big, airy room, the whole floor nearly, with windows that look all
ways, and air and sunshine galore. It was nursery first and then
playground
and gymnasium, I should judge; for the windows are barred for little
children, and there are rings and things in the walls.

The paint and paper look as if a boys’ school had used it. It is stripped
off—the paper—in great patches all around the head of my bed,
about as far as I can reach, and in a great place on the other side of the
room low down. I never saw a worse paper in my life.

One of those sprawling flamboyant patterns committing every artistic sin.

It is dull enough to confuse the eye in following, pronounced enough to
constantly irritate, and provoke study, and when you follow the lame,
uncertain curves for a little distance they suddenly commit suicide—plunge
off at outrageous angles, destroy themselves in unheard-of contradictions.

The color is repellant, almost revolting; a smouldering, unclean yellow,
strangely faded by the slow-turning sunlight.

It is a dull yet lurid orange in some places, a sickly sulphur tint in
others.

No wonder the children hated it! I should hate it myself if I had to live
in this room long.

There comes John, and I must put this away,—he hates to have me
write a word.

We have been here two weeks, and I haven’t felt like writing before, since
that first day.

I am sitting by the window now, up in this atrocious nursery, and there is
nothing to hinder my writing as much as I please, save lack of strength.

John is away all day, and even some nights when his cases are serious.

I am glad my case is not serious!

But these nervous troubles are dreadfully depressing.

John does not know how much I really suffer. He knows there is no reason
to suffer, and that satisfies him.

Of course it is only nervousness. It does weigh on me so not to do my duty
in any way!

I meant to be such a help to John, such a real rest and comfort, and here
I am a comparative burden already!

Nobody would believe what an effort it is to do what little I am able—to
dress and entertain, and order things.

It is fortunate Mary is so good with the baby. Such a dear baby!

And yet I cannot be with him, it makes me so nervous.

I suppose John never was nervous in his life. He laughs at me so about
this wallpaper!

At first he meant to repaper the room, but afterwards he said that I was
letting it get the better of me, and that nothing was worse for a nervous
patient than to give way to such fancies.

He said that after the wallpaper was changed it would be the heavy
bedstead, and then the barred windows, and then that gate at the head of
the stairs, and so on.

“You know the place is doing you good,” he said, “and really, dear, I
don’t care to renovate the house just for a three months’ rental.”

“Then do let us go downstairs,” I said, “there are such pretty rooms
there.”

Then he took me in his arms and called me a blessed little goose, and said
he would go down cellar if I wished, and have it whitewashed into
the bargain.

But he is right enough about the beds and windows and things.

It is as airy and comfortable a room as any one need wish, and, of course,
I
would not be so silly as to make him uncomfortable just for a whim.

I’m really getting quite fond of the big room, all but that horrid paper.

Out of one window I can see the garden, those mysterious deep-shaded
arbors, the riotous old-fashioned flowers, and bushes and gnarly trees.

Out of another I get a lovely view of the bay and a little private wharf
belonging to the estate. There is a beautiful shaded lane that runs down
there from the house. I always fancy I see people walking in these
numerous paths and arbors, but John has cautioned me not to give way to
fancy in the least. He says that with my imaginative power and habit of
story-making a nervous weakness like mine is sure to lead to all manner
of excited fancies, and that I ought to use my will and good sense to
check the tendency. So I try.

I think sometimes that if I were only well enough to write a little it
would relieve the press of ideas and rest me.

But I find I get pretty tired when I try.

It is so discouraging not to have any advice and companionship about my
work. When I get really well John says we will ask Cousin Henry and Julia
down for a long visit; but he says he would as soon put fire-works in my
pillow-case as to let me have those stimulating people about now.

I wish I could get well faster.

But I must not think about that. This paper looks to me as if it knew what
a vicious influence it had!

There is a recurrent spot where the pattern lolls like a broken neck and
two bulbous eyes stare at you upside-down.

I get positively angry with the impertinence of it and the
everlastingness. Up and down and sideways they crawl, and those absurd,
unblinking eyes are everywhere. There is one place where two breadths
didn’t match, and the eyes go all up and down the line, one a little
higher than the other.

I never saw so much expression in an inanimate thing before, and we all
know how much expression they have! I used to lie awake as a child and get
more entertainment and terror out of blank walls and plain furniture than
most children could find in a toy-store.

I remember what a kindly wink the knobs of our big old bureau used to
have, and there was one chair that always seemed like a strong friend.

I used to feel that if any of the other things looked too fierce I could
always hop into that chair and be safe.

The furniture in this room is no worse than inharmonious, however, for we
had to bring it all from downstairs. I suppose when this was used as a
playroom they had to take the nursery things out, and no wonder! I never
saw such ravages as the children have made here.

The wallpaper, as I said before, is torn off in spots, and it sticketh
closer than a brother—they must have had perseverance as well as
hatred.

Then the floor is scratched and gouged and splintered, the plaster itself
is dug out here and there, and this great heavy bed, which is all we found
in the room, looks as if it had been through the wars.

But I don’t mind it a bit—only the paper.

There comes John’s sister. Such a dear girl as she is, and so careful of
me! I must not let her find me writing.

She is a perfect, and enthusiastic housekeeper, and hopes for no better
profession. I verily believe she thinks it is the writing which made me
sick!

But I can write when she is out, and see her a long way off from these
windows.

There is one that commands the road, a lovely, shaded, winding road, and
one
that just looks off over the country. A lovely country, too, full of great
elms and velvet meadows.

This wallpaper has a kind of sub-pattern in a different shade, a
particularly irritating one, for you can only see it in certain lights,
and not clearly then.

But in the places where it isn’t faded, and where the sun is just so, I
can see a strange, provoking, formless sort of figure, that seems to sulk
about behind that silly and conspicuous front design.

There’s sister on the stairs!

Well, the Fourth of July is over! The people are gone and I am tired out.
John thought it might do me good to see a little company, so we just had
mother and Nellie and the children down for a week.

Of course I didn’t do a thing. Jennie sees to everything now.

But it tired me all the same.

John says if I don’t pick up faster he shall send me to Weir Mitchell in
the fall.

But I don’t want to go there at all. I had a friend who was in his hands
once, and she says he is just like John and my brother, only more so!

Besides, it is such an undertaking to go so far.

I don’t feel as if it was worth while to turn my hand over for anything,
and I’m getting dreadfully fretful and querulous.

I cry at nothing, and cry most of the time.

Of course I don’t when John is here, or anybody else, but when I am alone.

And I am alone a good deal just now. John is kept in town very often by
serious cases, and Jennie is good and lets me alone when I want her to.

So I walk a little in the garden or down that lovely lane, sit on the
porch under the roses, and lie down up here a good deal.

I’m getting really fond of the room in spite of the wallpaper. Perhaps
because of the wallpaper.

It dwells in my mind so!

I lie here on this great immovable bed—it is nailed down, I believe—and
follow that pattern about by the hour. It is as good as gymnastics, I
assure you. I start, we’ll say, at the bottom, down in the corner over
there where it has not been touched, and I determine for the thousandth
time that I will follow that pointless pattern to some sort of a
conclusion.

I know a little of the principle of design, and I know this thing was not
arranged on any laws of radiation, or alternation, or repetition, or
symmetry, or anything else that I ever heard of.

It is repeated, of course, by the breadths, but not otherwise.

Looked at in one way each breadth stands alone, the bloated curves and
flourishes—a kind of “debased Romanesque” with delirium
tremens—go waddling up and down in isolated columns of fatuity.

But, on the other hand, they connect diagonally, and the sprawling
outlines run off in great slanting waves of optic horror, like a lot of
wallowing seaweeds in full chase.

The whole thing goes horizontally, too, at least it seems so, and I
exhaust myself in trying to distinguish the order of its going in that
direction.

They have used a horizontal breadth for a frieze, and that adds
wonderfully to the confusion.

There is one end of the room where it is almost intact, and there, when
the cross-lights fade and the low sun shines directly upon it, I can
almost
fancy radiation after all,—the interminable grotesques seem to form
around a common centre and rush off in headlong plunges of equal
distraction.

It makes me tired to follow it. I will take a nap, I guess.

I don’t know why I should write this.

I don’t want to.

I don’t feel able.

And I know John would think it absurd. But I must say what I feel and
think in some way—it is such a relief!

But the effort is getting to be greater than the relief.

Half the time now I am awfully lazy, and lie down ever so much.

John says I musn’t lose my strength, and has me take cod-liver oil and
lots of tonics and things, to say nothing of ale and wine and rare meat.

Dear John! He loves me very dearly, and hates to have me sick. I tried to
have a real earnest reasonable talk with him the other day, and tell him
how I wish he would let me go and make a visit to Cousin Henry and Julia.

But he said I wasn’t able to go, nor able to stand it after I got there;
and I did not make out a very good case for myself, for I was crying
before I had finished.

It is getting to be a great effort for me to think straight. Just this
nervous weakness, I suppose.

And dear John gathered me up in his arms, and just carried me upstairs and
laid me on the bed, and sat by me and read to me till it tired my head.

He said I was his darling and his comfort and all he had, and that I must
take care of myself for his sake, and keep well.

He says no one but myself can help me out of it, that I must use my will
and self-control and not let any silly fancies run away with me.

There’s one comfort, the baby is well and happy, and does not have to
occupy this nursery with the horrid wallpaper.

If we had not used it that blessed child would have! What a fortunate
escape! Why, I wouldn’t have a child of mine, an impressionable little
thing, live in such a room for worlds.

I never thought of it before, but it is lucky that John kept me here after
all. I can stand it so much easier than a baby, you see.

Of course I never mention it to them any more,—I am too wise,—but
I keep watch of it all the same.

There are things in that paper that nobody knows but me, or ever will.

Behind that outside pattern the dim shapes get clearer every day.

It is always the same shape, only very numerous.

And it is like a woman stooping down and creeping about behind that
pattern. I don’t like it a bit. I wonder—I begin to think—I
wish John would take me away from here!

It is so hard to talk with John about my case, because he is so wise, and
because he loves me so.

But I tried it last night.

It was moonlight. The moon shines in all around, just as the sun does.

I hate to see it sometimes, it creeps so slowly, and always comes in by
one window or another.

John was asleep and I hated to waken him, so I kept still and watched the
moonlight on that undulating wallpaper till I felt creepy.

The faint figure behind seemed to shake the pattern, just as if she wanted
to get out.

I got up softly and went to feel and see if the paper did move, and when I
came back John was awake.

“What is it, little girl?” he said. “Don’t go walking
about like that—you’ll get cold.”

I though it was a good time to talk, so I told him that I really was not
gaining here, and that I wished he would take me away.

“Why darling!” said he, “our lease will be up in three
weeks, and I can’t see how to leave before.

“The repairs are not done at home, and I cannot possibly leave town just
now. Of course if you were in any danger I could and would, but you
really are better, dear, whether you can see it or not. I am a doctor,
dear, and I know. You are gaining flesh and color, your appetite is
better. I feel really much easier about you.”

“I don’t weigh a bit more,” said I, “nor as much; and
my appetite may be better in the evening, when you are here, but it is
worse
in the morning when you are away.”

“Bless her little heart!” said he with a big hug; “she shall be as sick as
she pleases! But now let’s improve the shining hours by going to sleep,
and talk about it in the morning!”

“And you won’t go away?” I asked gloomily.

“Why, how can I, dear? It is only three weeks more and then we will take a
nice little trip of a few days while Jennie is getting the house ready.
Really, dear, you are better!”

“Better in body perhaps”—I began, and stopped short, for he sat up
straight and looked at me with such a stern, reproachful look that I could
not say another word.

“My darling,” said he, “I beg of you, for my sake and for our child’s
sake, as well as for your own, that you will never for one instant let
that idea enter your mind! There is nothing so dangerous, so fascinating,
to a temperament like yours. It is a false and foolish fancy. Can you not
trust me as a physician when I tell you so?”

So of course I said no more on that score, and we went to sleep before
long. He thought I was asleep first, but I wasn’t,—I lay there for hours
trying to decide whether that front pattern and the back pattern really
did move together or separately.

On a pattern like this, by daylight, there is a lack of sequence, a
defiance of law, that is a constant irritant to a normal mind.

The color is hideous enough, and unreliable enough, and infuriating
enough, but the pattern is torturing.

You think you have mastered it, but just as you get well under way in
following, it turns a back somersault and there you are. It slaps you in
the face, knocks you down, and tramples upon you. It is like a bad dream.

The outside pattern is a florid arabesque, reminding one of a fungus. If
you can imagine a toadstool in joints, an interminable string of
toadstools, budding and sprouting in endless convolutions,—why, that
is something like it.

That is, sometimes!

There is one marked peculiarity about this paper, a thing nobody seems to
notice but myself, and that is that it changes as the light changes.

When the sun shoots in through the east window—I always watch for
that first long, straight ray—it changes so quickly that I never can
quite believe it.

That is why I watch it always.

By moonlight—the moon shines in all night when there is a moon—I
wouldn’t know it was the same paper.

At night in any kind of light, in twilight, candlelight, lamplight, and
worst of all by moonlight, it becomes bars! The outside pattern I mean,
and the woman behind it is as plain as can be.

I didn’t realize for a long time what the thing was that showed
behind,—that dim sub-pattern,—but now I am quite sure it is a woman.

By daylight she is subdued, quiet. I fancy it is the pattern that keeps
her so still. It is so puzzling. It keeps me quiet by the hour.

I lie down ever so much now. John says it is good for me, and to sleep all
I can.

Indeed, he started the habit by making me lie down for an hour after each
meal.

It is a very bad habit, I am convinced, for, you see, I don’t sleep.

And that cultivates deceit, for I don’t tell them I’m
awake,—oh, no!

The fact is, I am getting a little afraid of John.

He seems very queer sometimes, and even Jennie has an inexplicable look.

It strikes me occasionally, just as a scientific hypothesis, that
perhaps it is the paper!

I have watched John when he did not know I was looking, and come into the
room suddenly on the most innocent excuses, and I’ve caught him several
times looking at the paper! And Jennie too. I caught Jennie with her hand
on it once.

She didn’t know I was in the room, and when I asked her in a quiet, a very
quiet voice, with the most restrained manner possible, what she was doing
with the paper she turned around as if she had been caught stealing,
and looked quite angry—asked me why I should frighten her so!

Then she said that the paper stained everything it touched, that she had
found yellow smooches on all my clothes and John’s, and she wished we
would be more careful!

Did not that sound innocent? But I know she was studying that pattern, and
I am determined that nobody shall find it out but myself!

Life is very much more exciting now than it used to be. You see I have
something more to expect, to look forward to, to watch. I really do eat
better, and am more quiet than I was.

John is so pleased to see me improve! He laughed a little the other day,
and said I seemed to be flourishing in spite of my wallpaper.

I turned it off with a laugh. I had no intention of telling him it was
because of the wallpaper—he would make fun of me. He might even
want to take me away.

I don’t want to leave now until I have found it out. There is a week more,
and I think that will be enough.

I’m feeling ever so much better! I don’t sleep much at night, for it is so
interesting to watch developments; but I sleep a good deal in the daytime.

In the daytime it is tiresome and perplexing.

There are always new shoots on the fungus, and new shades of yellow all
over it. I cannot keep count of them, though I have tried conscientiously.

It is the strangest yellow, that wallpaper! It makes me think of all the
yellow things I ever saw—not beautiful ones like buttercups, but old
foul, bad yellow things.

But there is something else about that paper—the smell! I noticed it
the moment we came into the room, but with so much air and sun it was not
bad. Now we have had a week of fog and rain, and whether the windows are
open or not, the smell is here.

It creeps all over the house.

I find it hovering in the dining-room, skulking in the parlor, hiding in
the hall, lying in wait for me on the stairs.

It gets into my hair.

Even when I go to ride, if I turn my head suddenly and surprise it—there
is that smell!

Such a peculiar odor, too! I have spent hours in trying to analyze it, to
find what it smelled like.

It is not bad—at first, and very gentle, but quite the subtlest,
most enduring odor I ever met.

In this damp weather it is awful. I wake up in the night and find it
hanging over me.

It used to disturb me at first. I thought seriously of burning the
house—to
reach the smell.

But now I am used to it. The only thing I can think of that it is like is
the color of the paper! A yellow smell.

There is a very funny mark on this wall, low down, near the mopboard. A
streak that runs round the room. It goes behind every piece of furniture,
except the bed, a long, straight, even smooch, as if it had been rubbed
over and over.

I wonder how it was done and who did it, and what they did it for. Round
and round and round—round and round and round—it makes me
dizzy!

I really have discovered something at last.

Through watching so much at night, when it changes so, I have finally
found out.

The front pattern does move—and no wonder! The woman behind shakes
it!

Sometimes I think there are a great many women behind, and sometimes only
one, and she crawls around fast, and her crawling shakes it all over.

Then in the very bright spots she keeps still, and in the very shady spots
she just takes hold of the bars and shakes them hard.

And she is all the time trying to climb through. But nobody could climb
through that pattern—it strangles so; I think that is why it has so
many heads.

They get through, and then the pattern strangles them off and turns them
upside-down, and makes their eyes white!

If those heads were covered or taken off it would not be half so bad.

I think that woman gets out in the daytime!

And I’ll tell you why—privately—I’ve seen her!

I can see her out of every one of my windows!

It is the same woman, I know, for she is always creeping, and most women
do not creep by daylight.

I see her on that long shaded lane, creeping up and down. I see her in
those
dark grape arbors, creeping all around the garden.

I see her on that long road under the trees, creeping along, and when a
carriage comes she hides under the blackberry vines.

I don’t blame her a bit. It must be very humiliating to be caught creeping
by daylight!

I always lock the door when I creep by daylight. I can’t do it at night,
for I know John would suspect something at once.

And John is so queer now, that I don’t want to irritate him. I wish he
would take another room! Besides, I don’t want anybody to get that woman
out at night but myself.

I often wonder if I could see her out of all the windows at once.

But, turn as fast as I can, I can only see out of one at one time.

And though I always see her she may be able to creep faster than I can
turn!

I have watched her sometimes away off in the open country, creeping as
fast as a cloud shadow in a high wind.

If only that top pattern could be gotten off from the under one! I mean to
try it, little by little.

I have found out another funny thing, but I shan’t tell it this time! It
does not do to trust people too much.

There are only two more days to get this paper off, and I believe John is
beginning to notice. I don’t like the look in his eyes.

And I heard him ask Jennie a lot of professional questions about me. She
had a very good report to give.

She said I slept a good deal in the daytime.

John knows I don’t sleep very well at night, for all I’m so quiet!

He asked me all sorts of questions, too, and pretended to be very loving
and kind.

As if I couldn’t see through him!

Still, I don’t wonder he acts so, sleeping under this paper for three
months.

It only interests me, but I feel sure John and Jennie are secretly
affected by it.

Hurrah! This is the last day, but it is enough. John is to stay in town
over night, and won’t be out until this evening.

Jennie wanted to sleep with me—the sly thing! but I told her I
should undoubtedly rest better for a night all alone.

That was clever, for really I wasn’t alone a bit! As soon as it was
moonlight, and that poor thing began to crawl and shake the pattern, I got
up and ran to help her.

I pulled and she shook, I shook and she pulled, and before morning we had
peeled off yards of that paper.

A strip about as high as my head and half around the room.

And then when the sun came and that awful pattern began to laugh at me I
declared I would finish it to-day!

We go away to-morrow, and they are moving all my furniture down again to
leave things as they were before.

Jennie looked at the wall in amazement, but I told her merrily that I did
it out of pure spite at the vicious thing.

She laughed and said she wouldn’t mind doing it herself, but I must not
get tired.

How she betrayed herself that time!

But I am here, and no person touches this paper but me—not alive!

She tried to get me out of the room—it was too patent! But I said it
was so quiet and empty and clean now that I believed I would lie down
again and sleep all I could; and not to wake me even for dinner—I
would call when I woke.

So now she is gone, and the servants are gone, and the things are gone,
and there is nothing left but that great bedstead nailed down, with the
canvas mattress we found on it.

We shall sleep downstairs to-night, and take the boat home to-morrow.

I quite enjoy the room, now it is bare again.

How those children did tear about here!

This bedstead is fairly gnawed!

But I must get to work.

I have locked the door and thrown the key down into the front path.

I don’t want to go out, and I don’t want to have anybody come in, till
John comes.

I want to astonish him.

I’ve got a rope up here that even Jennie did not find. If that woman does
get out, and tries to get away, I can tie her!

But I forgot I could not reach far without anything to stand on!

This bed will not move!

I tried to lift and push it until I was lame, and then I got so angry I
bit off a little piece at one corner—but it hurt my teeth.

Then I peeled off all the paper I could reach standing on the floor. It
sticks horribly and the pattern just enjoys it! All those strangled heads
and bulbous eyes and waddling fungus growths just shriek with derision!

I am getting angry enough to do something desperate. To jump out of the
window would be admirable exercise, but the bars are too strong even to
try.

Besides I wouldn’t do it. Of course not. I know well enough that a step
like that is improper and might be misconstrued.

I don’t like to look out of the windows even—there are so many of
those creeping women, and they creep so fast.

I wonder if they all come out of that wallpaper as I did?

But I am securely fastened now by my well-hidden rope—you don’t get
me out in the road there!

I suppose I shall have to get back behind the pattern when it comes night,
and that is hard!

It is so pleasant to be out in this great room and creep around as I
please!

I don’t want to go outside. I won’t, even if Jennie asks me to.

For outside you have to creep on the ground, and everything is green
instead of yellow.

But here I can creep smoothly on the floor, and my shoulder just fits in
that long smooch around the wall, so I cannot lose my way.

Why, there’s John at the door!

It is no use, young man, you can’t open it!

How he does call and pound!

Now he’s crying for an axe.

It would be a shame to break down that beautiful door!

“John dear!” said I in the gentlest voice, “the key is down by the front
steps, under a plantain leaf!”

That silenced him for a few moments.

Then he said—very quietly indeed, “Open the door, my darling!”

“I can’t,” said I. “The key is down by the front door under a plantain
leaf!”

And then I said it again, several times, very gently and slowly, and said
it so often that he had to go and see, and he got it, of course, and came
in. He stopped short by the door.

“What is the matter?” he cried. “For God’s sake, what are you doing!”

I kept on creeping just the same, but I looked at him over my shoulder.

“I’ve got out at last,” said I, “in spite of you and Jane!
And I’ve pulled off most of the paper, so you can’t put me back!”

Now why should that man have fainted? But he did, and right across my path
by the wall, so that I had to creep over him every time!




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That’s often too much text to handle at one time. So you can also look at the first 10 lines of the file with head.

!head The-Yellow-Wallpaper.txt
Project Gutenberg's The Yellow Wallpaper, by Charlotte Perkins Gilman

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.orgTitle: The Yellow Wallpaper

Author: Charlotte Perkins Gilman

Release Date: November 25, 2008 [EBook #1952]
#PowerShell C:\Users> gc The-Yellow-Wallpaper.txt -head 10

Or by adding a flag with a number (-50), you can look at the first however many lines you want!

!head -50 The-Yellow-Wallpaper.txt
Project Gutenberg's The Yellow Wallpaper, by Charlotte Perkins Gilman

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.orgTitle: The Yellow Wallpaper

Author: Charlotte Perkins Gilman

Release Date: November 25, 2008 [EBook #1952]
Last Updated: November 7, 2017

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE YELLOW WALLPAPER ***

Produced by An Anonymous Volunteer, and David Widger




THE YELLOW WALLPAPER

By Charlotte Perkins Gilman



It is very seldom that mere ordinary people like John and myself secure
ancestral halls for the summer.

A colonial mansion, a hereditary estate, I would say a haunted house, and
reach the height of romantic felicity—but that would be asking too
much of fate!

Still I will proudly declare that there is something queer about it.

Else, why should it be let so cheaply? And why have stood so long
untenanted?

John laughs at me, of course, but one expects that in marriage.

John is practical in the extreme. He has no patience with faith, an
intense horror of superstition, and he scoffs openly at any talk of things
not to be felt and seen and put down in figures.

John is a physician, and perhaps—(I would not say it to a living
soul, of course, but this is dead paper and a great relief to my
mind)—perhaps that is one reason I do not get well faster.

The same goes for looking at the end of a file with tail

!tail The-Yellow-Wallpaper.txt
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.Most people start at our Web site which has the main PG search facility:

http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.
#PowerShell C:\Users> gc The-Yellow-Wallpaper.txt -tail 10

Searching inside files

Mac / Chrome / Linux

Explanation

Windows PowerShell

grep “search term” filename or directory-name

search for lines that include search term in file

findstr “search term” filename

The grep command allows you to search for a search term(s) in a file or directory and return each line that contains the term. Combining the -n flag with the grep command will return the corresponding line number as well.

!grep "yellow" -n The-Yellow-Wallpaper.txt
148:The color is repellant, almost revolting; a smouldering, unclean yellow,
566:found yellow smooches on all my clothes and John’s, and she wished we
591:There are always new shoots on the fungus, and new shades of yellow all
594:It is the strangest yellow, that wallpaper! It makes me think of all the
595:yellow things I ever saw—not beautiful ones like buttercups, but old
596:foul, bad yellow things.
627:the color of the paper! A yellow smell.
819:instead of yellow.
#PowerShell C:\Users> findstr -n "yellow" The-Yellow-Wallpaper.txt

Combining the --color flag with the grep command will highlight the search term(s) in a color.

!grep "yellow" -n --color The-Yellow-Wallpaper.txt
148:The color is repellant, almost revolting; a smouldering, unclean yellow,
566:found yellow smooches on all my clothes and John’s, and she wished we
591:There are always new shoots on the fungus, and new shades of yellow all
594:It is the strangest yellow, that wallpaper! It makes me think of all the
595:yellow things I ever saw—not beautiful ones like buttercups, but old
596:foul, bad yellow things.
627:the color of the paper! A yellow smell.
819:instead of yellow.

Combining the -wc flag with the grep command will return the number of lines that contain the search term(s) in a file or directory.

!grep -wc "yellow" The-Yellow-Wallpaper.txt
8
!grep -wc "paper" The-Yellow-Wallpaper.txt
24

Combining the -B and -A flags with grep will return a specified number of lines before (-B) or after (-A) the line that contains the search term(s). This can be a way to get more context for a search term.

!grep "wallpaper" -B 2 -A 2 -n --color The-Yellow-Wallpaper.txt
187-
188-I suppose John never was nervous in his life. He laughs at me so about
189:this wallpaper!
190-
191-At first he meant to repaper the room, but afterwards he said that I was
--
--
193-patient than to give way to such fancies.
194-
195:He said that after the wallpaper was changed it would be the heavy
196-bedstead, and then the barred windows, and then that gate at the head of
197-the stairs, and so on.
--
--
267-saw such ravages as the children have made here.
268-
269:The wallpaper, as I said before, is torn off in spots, and it sticketh
270-closer than a brother—they must have had perseverance as well as
271-hatred.
--
--
292-elms and velvet meadows.
293-
294:This wallpaper has a kind of sub-pattern in a different shade, a
295-particularly irritating one, for you can only see it in certain lights,
296-and not clearly then.
--
--
331-porch under the roses, and lie down up here a good deal.
332-
333:I’m getting really fond of the room in spite of the wallpaper. Perhaps
334:because of the wallpaper.
335-
336-It dwells in my mind so!
--
--
410-
411-There’s one comfort, the baby is well and happy, and does not have to
412:occupy this nursery with the horrid wallpaper.
413-
414-If we had not used it that blessed child would have! What a fortunate
--
--
443-
444-John was asleep and I hated to waken him, so I kept still and watched the
445:moonlight on that undulating wallpaper till I felt creepy.
446-
447-The faint figure behind seemed to shake the pattern, just as if she wanted
--
--
575-
576-John is so pleased to see me improve! He laughed a little the other day,
577:and said I seemed to be flourishing in spite of my wallpaper.
578-
579-I turned it off with a laugh. I had no intention of telling him it was
--
--
578-
579-I turned it off with a laugh. I had no intention of telling him it was
580:because of the wallpaper—he would make fun of me. He might even
581-want to take me away.
582-
--
--
592-over it. I cannot keep count of them, though I have tried conscientiously.
593-
594:It is the strangest yellow, that wallpaper! It makes me think of all the
595-yellow things I ever saw—not beautiful ones like buttercups, but old
596-foul, bad yellow things.
--
--
803-those creeping women, and they creep so fast.
804-
805:I wonder if they all come out of that wallpaper as I did?
806-
807-But I am securely fastened now by my well-hidden rope—you don’t get

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